The little Leica finally takes its 100,000th shot

It's been a long time coming, but my long-term favourite camera has finally taken its 100,000 shot. This happened yesterday evening. When transferring the day's haul to the laptop for processing, I saw with delight that the camera's shot counter stood at '2030435'. This means 'shot 435 of folder 203'. The first folder was numbered 100, and a new folder gets created after every 999th shot. So the camera is actually saying 'I've reached shot number 103,435'. 

But there are some adjustments to be made. On three occasions in the past I've accidentally or deliberately reset the shot total, increasing it, and I know by how much. Besides this, because the camera skips one shot every time it opens a new folder, it gradually overcounts. I've maintained a spreadsheet to keep track of all this from the very beginning in June 2009, and it lets me deduce the correct current total. 

Above, two extracts from that spreadsheet. Yesterday evening I nudged past the 100,000 shot milestone by two shots. Hurrah!

I'm very proud of the little Leica for doing this. Here is the wee beastie, taken recently with my phone. It's no longer pristine, but it's wearing well for a sixteen year old device that has been handled multiple times a day for much of its life.

It has its limitations. The main snag is the small ten-megapixel CCD sensor, which limits its tonal range and ability to record fine detail at a distance. Nor does it perform well after sunset, unless the subject is brightly lit. I've never found any of this much of a problem though. The little Leica is good for nearly everything I want to do with it. And although the rendering is not the very last word in sharpness, I do like it, whether for colour or black and white work. Here's a selection of recent pictures which, I think, show what this small and versatile camera can do.

The little Leica is particularly good for close-up work. 

Despite the low interior light in the shot above, the lit-up glass of prosecco comes out sharply, bubbles and all. If you click on the shot, you can see the effervescence just above the rim of the glass.

I'd never really looked closely at the riverside artwork above. Looking into the serrated grooves, I could see tunnels in the metal. I carefully inserted the little Leica and took a series of black-and-white shots. Here's two of them.

Just like full-sized caves! Or perhaps one's sinus passages. Not many cameras are small enough to manoeuvre into cracks like these.

A lot of my camera outings take place in the Golden Hour in the evening. And why not? It makes colours glow with extra radiance. The little Leica's CCD sensor does strong colour well.

I especially like this camera for food shots.

As I said, the little Leica's vintage sensor can't cope well after dark. The pictures look noisy. And yet that can be used for effect. Here are some 2022 shots taken in Cirencester. The church tower was lit up in amber and blue light, and to my mind the noise has given a couple of these photos an attractively distressed appearance. 

I've never been able to produce anything similar with LXV. Or at least, not without a lot of post-processing to create the same look.

And now the little Leica D-Lux 4 has shown definitive longevity. Sixteen years old, so many shots taken, and it's still a great tool for image-making. It seems that age cannot wither it, nor custom stale its infinite variety. It mustn't go back in the cupboard again, in semi-retirement, as merely a standby camera. It doesn't deserve that. So I am promoting it over LXV's head. Assuming the latter makes a full recovery. 

They are in fact quite similar in what they can do. LXV is the better option for faithfully capturing the details of a scene, the better for recording an occasion. Its pictures are sharp and clear. But I think the little Leica has more creative possibilities, simply because it is old and imperfect, and the pictures sometimes bleary. 

I'm most certainly looking at 200,000 shots with it now. Who knows, it may be immortal and will outlive me.

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